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Guilty Crown (Japanese: ギルティクラウン, Hepburn: Giruti Kuraun) is a 2011 Japanese anime television series produced by Production I.G which aired on Fuji TV's noitamina program block from October 13, 2011.[3] The story revolves around Shu Ouma, a high school boy who comes into possession of an ability called the "Power of the King" allowing him to draw out items called "Voids" from other people. He is then thrown into the conflict between a quasi-governmental organization known as GHQ and a rebel organization called Funeral Parlor which aims to restore Japan's independence from the GHQ. In the process, Shu has to deal with the burden his ability puts on his shoulders and the horrific mystery of his past.
Two manga adaptations were published, one each by ASCII Media Works and Square Enix. A light novel was published by Nitroplus in April 2012, titled Guilty Crown: Princess of Deadpool. A spin-off visual novel for Windows, named Guilty Crown: Lost Christmas, was also developed by Nitroplus, which came bundled with a 15-minute original video animation (OVA) titled Guilty Crown: Lost Christmas.
Before the events of the main story, on December 24, 2029, a biological hazard known as the Apocalypse Virus brought on by an impact event plunges Japan into a state of chaos. This event is later named the Lost Christmas incident. Unable to contain the threat, Japan sought international help and the United Nations dispatches an organization known as the GHQ to their aid. The GHQ successfully contains the outbreak and restores a level of normality at the cost of Japan's independence. Ten years later, a resistance organization known as the Funeral Parlor wages a campaign against the GHQ to liberate Japan once more.
In the Roppongi district of Tokyo, high school student Shu Ouma encounters a wounded girl named Inori Yuzuriha, the vocalist of a popular internet group Egoist, taking refuge at his film club's workshop. The GHQ Anti Bodies storm the workshop and arrest her for involvement with Funeral Parlor. Shu follows the coordinates of Inori's robot to a drop zone where he meets Funeral Parlor's leader, Gai Tsutsugami, who asks him to safeguard a vial. As the Anti-Bodies begin attacking the Roppongi area looking for the vial, it shatters as Shu goes to rescue Inori when she becomes threatened by GHQ Endlave mechs. The vial contains the Void Genome, a powerful genetic weapon derived from the Apocalypse Virus that grants Shu the "Power of the King", an ability that allows his right hand to extract Voids, weapons of people's psyche given physical form. Shu then extracts Inori's Void and destroys the attacking Endlaves.
Upon deciding to join Funeral Parlor, Shu begins to fall in love with Inori, who bears a striking resemblance to his late sister, Mana. However, he deserts the group after causing the death of a classmate's younger brother during one of his missions. In Shu's absence, Funeral Parlor attempt to steal from GHQ the meteorite that originally caused the Apocalypse Virus outbreak. In the process, Gai and his forces fall into a trap as the Anti-Bodies decimate their ranks with a "genetic resonance" broadcast that unleashes the Virus throughout Tokyo. Amidst the chaos, the Anti-Bodies' leader, Shūichirō Keido, seizes control of the GHQ and directs his attention towards wiping out the remains of Funeral Parlor.
"I'm dense? Maybe it's true that my mind works out of step with everyone else's. It's just that I don't know what to say to other people. So I hide my nervousness and try to go along with what they say. That's how I've made the quasi-friendships in my life."
An unsociable seventeen-year-old high school student at Tennouzu High School and a member of the modern motion picture research club, Shu gains the ability "Power of Kings," enabling him to extract weapons from other people, after a chance encounter with idol singer Inori Yuzuriha.
His Void is a crystalline arm that allows him to absorb the Voids he has drawn from the time he acquired the arm onwards. However, he also absorbs out the donors' weaknesses, whether physical or psychological, taking them upon himself. Also, if he dies while he has someone else's Void in him, they die too.
Accidental Pervert:
It takes the poor guy a couple of tries to get Void-extraction quite right.
He accidentally pulls the pervert card a few times with Ayase enough for her to initially think of him as a "pervy brat."
Always Save the Girl
Ambiguous Disorder: He's an Extreme Doormat with No Social Skills who admits to himself that his mind might be out of step with everyone else's, and has only made "friends" by going along with what other people say. When he makes a carelessly cold remark about someone else and is admonished for it, he can only think about his own feelings that were hurt, rather than feeling bad about what he said. He also has trouble with making eye contact with other people.
Apologetic Attacker:
When extracting Voids. Not so much anymore.
Subverted in Episode 19. He asks and apologizes while extracting everyone's Voids.
An Arm and a Leg: His Void Genome arm is cut off by a Back From the Dead Gai.
The Atoner: Following the disaster that was the Kingdom of the Void.
Bad Boss: What eventually made the school turn against him in Episode 17.
Badass: If armed with a void, Shu is unstoppable. Not even Daath, a more experienced and powerful void user drawing on the power of a crowd of mooks, could match Shu in battle.
Badass Longcoat: Along with a Scarf of Asskicking. However, it seems that it's just Shu's standard winter gear and that Shu happens to be a trendy dresser.
Bad Liar: His delivery is pretty bad. However, the lies themselves are pretty creative as well as being plausible. Assuming they weren't rehearsed.
Betty and Veronica: The Betty to Gai's Veronica. and the Archie to Hare's Betty and Inori's Veronica (and possibly Ayase as his Third Option Love Interest).
Break the Cutie:
While he'd already been through a lot of shit and held up remarkably well, Episode 9 breaks him.
In Episode 15, Hare's death breaks him even harder, triggering the Dull Eyes of Unhappiness and a killing rampage after forcibly extracting Inori's Void.
The discovery of what happens when people's Voids break at the end of Episode 16 sends him even further down the slippery slope, triggering a fit of maniacal laughter that ends with him thinking about breaking Argo's Void.
Gai breaks him even more by betraying him, cutting off his arm, and stealing the Void Genome.
Brought Down to Normal: Happens at the end of Episode 17 when a revived Gai cuts off his right arm off and steals the Void Genome.
The Chew Toy: His life sucks.
Chronic Hero Syndrome: Subverted to hell and back every episode.
Conflicting Loyalty: In the first few episodes, he wavers back and forth between trusting Gai and Funeral Parlor or distrusting them and potentially using the transmitter that he received from Major Segai to punish the rebels. This is ultimately resolved when he accidentally sees Gai's vulnerable side, along with the revelation that the transmitter was a targeting beacon for the Leucocyte and that using it would have killed him.
Curtains Match the Window: He has brown hair and brown eyes.
Cursed with Awesome: His Void Genome grants him the power to recreate Voids he has previously used. However, it has the side effect of carrying with it the weaknesses of the Void he's copying, in this case he acquires Souta's Apocalypse Virus.
Defeat Equals Friendship: The way he befriends Inori, Yahiro, and Gai after learning their secrets. However, the first had an ulterior motive, the second backfired, and the third could go any which way and he wouldn't be able to do a thing about it. Friendship is pretty tentative for him, but it ends up working out for him in the end.
Determinator: Not so much in general (as far as we've seen), but there is one notable instance. He stupidly picks a fight with Gai, who hits him with a haymaker and a jab in the face and then with a vicious gut shot and another jab to the face in quick succession. He just shrugs it off and hits him back.
Dented Iron: After all his adventures, he's rewarded with blindness and a missing arm requiring prosthetics. Here's hoping saving the world was worth it.
Distressed Dude: Spends most of Episode 4 in this role when he gets arrested by the GHQ.
The Dulcinea Effect: Double Subverted. He is unable to prevent Inori from getting captured but ultimately goes after her in the end. Of course, it's arguable how much of his motivation was "pretty girl in trouble" and not "repressed Extreme Doormat wants to finally do something interesting with his life." Since Episode 12, and the revelation that Inori is meant to be a vessel for Mana, he seems to have moved on to mostly platonic interest, needing Inori to confide in with his fears that his plans are failing.
Does This Remind You of Anything?:
Void extraction is a bit... evocative of something else.
His forced Void extraction on Inori after Hare's death gives off rape vibes, and continues to happen in other extractions afterwards.
Everyone Can See It: Gai, Segai, and Ayase easily deduce his feelings for Inori. Enough that it gets used against him twice: Segai subtly threatens Inori's safety, should he not cooperate with the GHQ, and Gai uses Inori to get him to join Funeral Parlor.
Evil Costume Switch
Evil Laugh: He makes one in Episode 16 that would make Light and Lelouch proud.
Expy: Of Lelouch Lamperouge (situation-wise), Suzaku Kururugi (in appearance, ability, and past), and Yukiteru Amano (in personality), though one could substitute the latter with Ganta Igarashi.
Extreme Doormat: See above quote.
Fan Nickname:
Shoe.
Mein Shuhrer, after Hare's death and his decision to implement the Void Ranking system.
Face Heel Turn: After Hare's death, he vows to rule as a king, and separate the "good" from the "trash."
Foil: To Gai, pretty obviously. Just check out how a few of Gai's character tropes reflect on his.
Freak-Out: Hare's death, and to a lesser extent Jun's, causes him to become seriously deranged.
Go Mad From the Revelation: The things he saw whilst linked with Jun drove him perilously close to this. Afterwards, he displays pretty reasonably close symptoms to those of PTSD.
Good Eyes, Evil Eyes: Shuu switches to the evil variant at the end of Episode 15 after getting broken by Hare's death and deciding that he'll become king and seperate the good from the trash.
Green-Eyed Monster:
He starts to feel this in Episode 5 towards Inori's and Gai's relationship.
In Episode 8, his jealousy of Souta nearly confessing to Inori nearly makes him also almost confess his feelings to Inori with Funeral Parlor overhearing the exchange.
The Heart: He's growing into this, despite, or perhaps because of, being The Spock. His rationalist tendencies don't take into account things like blinding loyalty or patriotism, and his social awkwardness makes him more likely to speak up when no one else will. Therefore, as a new member of the fairly disciplined Funeral Parlor, he's likely to be the first and only one to bring up little things like 35% mortality rates, innocent bystanders, etc. to Gai.
The Messiah: By Episode 11, he's upgraded to this. He even asks permission before using Voids.
Dark Messiah
Messianic Archetype, post-Character Development.
Heroic BSOD:
A real doozy. The things he saw and did in Episode 9 did horrible things to his mind.
A Virus-infected Mana nearing killing Gai, getting Ax Crazy, and causing Lost Christmas (all because of him) triggered this in his childhood enough to get Trauma-Induced Amnesia.
He is completely broken as of Episode 15 and Hare's death.
Episode 17 breaks him even more, as Gai reappears to steal the power of the king and Arisa causes the school to revolt against him.
Despair Event Horizon
Heroic Resolve: After the above, Inori showed him how much of a difference he really made for her. This, and her attempt to single-handedly fight off a troupe of GHQ Endlaves in order to save him gives Shu the strength to overcome his previous trauma and fight to gain the third Void Genome so he can stop GHQ.
Heroic Self-Deprecation:
Shu: [about Inori getting captured] Should I really just accept this? I felt... a little relieved because I wasn't in danger anymore. That's how pathetic I am. When you get right down to it, she was way out of my league. I wanted to take it. I wanted to get close to her and touch her hand!
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